RV is the lightest of dramas, with zero stress for viewers who revel in the familiar. It has now been remade in five languages, including (Wikipedia informs us) Nepali. And RV is merely a substitute for other once-upon-a-time original films. There’s no substitute for being original. There’s not an iota of realism or truth to be found. This is entirely intentional, the movie is acutely self-aware of what it’s aspiring for. Central Jail, the hinterland, a temple, offerings, dua, Ma, dead Ma, stars as people, farmer’s boy, responsible brother, villainous zamindaar, his goons armed with sticks, brother beating up thugs who’re looking to loot her izzat … phrases that define the first ten minutes, and give you a clear picture that as far the cultural impact of the 70’s and 80’s will never get old.
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